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Tuesday 18-49 finals:
4.1 (4.4) (4.3) (3.3) (4.7) (4.5) (4.3) (4.6) (4.8) NCIS
3.7 (3.8) (3.5) (3.7) (3.9) (3.5) (3.7) (3.6) (3.1) The Biggest Loser
3.4 (3.7) (3.6) (2.1) (3.9) (3.5) (3.6) (4.1) (4.4) NCIS Los Angeles
3.2 (3.5) (3.1) (3.0) (3.4) (2.9) (2.6) (2.6) (3.5) Dancing With The Stars
3.1 (3.8) (5.0) (---) (---) (---) (---) (---) (---) V
2.9 (---) (---) (---) (---) (---) (---) (---) (---) Merry Madagascar
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Tuesday 18-49 finals:
4.4 (4.3) (3.3) (4.7) (4.5) (4.3) (4.6) (4.8) NCIS
3.8 (5.0) (----) (----) (----) (----) (----) (----) V
3.8 (3.5) (3.7) (3.9) (3.5) (3.7) (3.6) (3.1) The Biggest Loser
3.7 (3.6) (2.1) (3.9) (3.5) (3.6) (4.1) (4.4) NCIS Los Angeles
3.5 (3.1) (3.0) (3.4) (2.9) (2.6) (2.6) (3.5) Dancing With The Stars
2.8 (2.7) (1.8) (2.8) (2.8) (2.9) (3.1) (3.1) The Good Wife
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Tuesday 18-49 finals:
5.0 (---) (----) (----) (----) (----) (----) V
4.3 (3.3) (4.7) (4.5) (4.3) (4.6) (4.8) NCIS
3.6 (2.1) (3.9) (3.5) (3.6) (4.1) (4.4) NCIS Los Angeles
3.5 (3.7) (3.9) (3.5) (3.7) (3.6) (3.1) The Biggest Loser
3.1 (3.0) (3.4) (2.9) (2.6) (2.6) (3.5) Dancing With The Stars
2.7 (1.8) (2.8) (2.8) (2.9) (3.1) (3.1) The Good Wife
2.4 (2.5) (----) (----) (2.5) (2.4) (----) So You Think You Can Dance
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In the big “Lost” divorce, “FlashForward” got Charlie and Penny while “V” got Juliet and a couple of “Firefly” stars.
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ABC has given a pilot greenlight to V.
This is a redux of Kenneth Johnson's alien invasion/rise of the Nazis allegory which first aired on NBC back in 1983.
Written on spec by Scott Peters, the new "V" will center on a female Homeland Security agent. Peters is exec producing with HDFilms principal Jason Hall.
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Merrick here...
...with the final installment of our three part interview with Kenneth Johnson.
You can find Part 1 HERE, and Part 2 HERE!
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Merrick here...
...with the second installment of our three part interview with Kenneth Johnson.
If you don't remember who he is or what he's done, CLICK HERE TO READ PART 1 OF THIS INTERVIEW. Chances are, you'll remember him...or at least know his work.
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Well, it's that time of the year again. A time when we all think back over the last 365 days of movie going and try to decide if it was worth all the lines, traffic, noisy audience members, security checks, and skyrocketing prices (at the pump as wel
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